Artistic Educatiom and University Institution: A Paradoxical Relationship. Jaramillo-Morán, Gonzalo
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Experience and teaching approach for dealing the decolonial practice from contemporary visual aesthetics. Rey-Somoza, Nuria
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The Produce of Design. Ortiz-Sánchez, Ivonne
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The recovery of Eduardo Solá Franco: the most contemporary of the modern. Kronfle-Chambers, Rodolfo
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Some notes on “the contemporary” in the critic of art in Mexico. Montero, Daniel
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Heterotopic Latin America: to define contemporary art and some curatorial experiences. Iglesias-Sánchez, Brenda Úrsula
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Wellington Arpil leras: the threads of memory, a near-by far away, and a contemporary past. Galarza, Maite
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The "vibrating body" of Giuseppe Campuzano as a place for an artistic and untamed methodology. Rodríguez-Bencomo, Albeley
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Contemporary art: A perpetual simulation of derridian parergonality Poveda-Yánez, Jorge
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The Aesthetics of Ruins: the power of vestiges in contemporary art Adler, Jazmín
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Adrián Balseca´s Horámen and the neocolonial dispossession in la Tolita, Esmeraldas Figueroa Pérez, José Antonio
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The city as a formal refletion Camacho, Juan Diego
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Kamiñante, CAlderÓN-CazÓN: A nomadic methodology Gallardo-Hernández, María Fernanda
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Passions and tensions between pottery, ceramics and contemporary art. The double process of artification and heritage in a peripheral world of contemporary art. Ullauri Lloré, Elisa
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WEAVING: Unity in Diversity. Flores, Pilar
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Relevance of the institutional theory of art and social capital to explain the role of the Faculty of Visual Arts (FAV) of the Autonomous University of Nuevo Leon (UANL) in the artistic practice of Monterrey, Mexico. Alonso-González, Tania Gissel; Morado-Macías, César
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Register: from realization to activation. Ruiz-Martín, J. M.; Portilla-Karolis, C. A.
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Contemporary art, arteBA and the aura effe ct. Feldman, Jonathan
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Review. Cuerpo siamés Alcívar-Bellolio, Daniela
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