WRITINGS FROM THE EXILE: ON BORDER THINKING IN LUIS CAMNITZER’S ART CRITICISM Pinella, Fernanda Cubas
|
| |
REFLECTIONS ON THE TREMENDOUS FROM THE MATERIAL-MAKING IN THE CONTEMPORARY WORK OF ART Hernández Parraguez, Marta
|
| |
FROM THE IMAGE AS REPRESENTATION TO THE IMAGE AS A FUNCTION: ON THE ALGORITHMIC CONDITION PRESENT IN THREE WORKS OF CONTEMPORARY VISUAL ART IN CHILE Vallejos Fabres, Cristóbal
|
| |
HUNDERTWASSER: THE FIVE SKINS AS INTERFACES OF COMMON EXPERIENCE Sánchez Ramírez, José Luis; Albo Cos, Úrsula
|
| |
“LACEMAKER IN SITU” BY BEATRIZ GONZÁLEZ: AN ESSAY ON PLACE IN COLOMBIAN ART Pineda Repizo, Adryan Fabrizio
|
| |
AN ALBUM OF QUOTES: THE IMAGINARY MUSEUM OF ANDRÉ MALRAUX Bruna, Rodrigo
|
| |
BUDDHA AND COATLICUE: TWO EQUIDISTANT FORMS OF MANIFESTATION Pérez López, Janneth Alyne
|
| |
Representing, documenting and hurting: the photographic archive of Adelina Dematti de Alaye-Madre de Plaza de Mayo Nieto, María Emilia
|
| |
PACHAQUEER, ART THAT TRANSFORMS Cerón Orellana, Kleber Santiago
|
| |
VISUALITY AND DAMAGE. NOTES ON NATURE AND ENVIRONMENT IN ARGENTINE ART Capasso, Verónica
|
| |
FEMINIST COLLECTIVITY IN ART ACTIVISM: METHODOLOGIES IN ANDREA ZAMBRANO ROJAS’ PIECE “CALZONES PARLANTES” Iwama, Kasumi
|
| |
Hypotheses about the (dis) agreement between artistic research and scientific research Fuentes Cid, Sara; Cordovil, João L
|
| |
NEGATIVITY, COLLAPSE AND MESS IN LARIZA HATRICK'S QUEER PHOTOGRAPHIC PROPOSAL. A LOOK FROM JULIA KRISTEVA Martínez, Ariel
|
| |
RECOGNITION OF THE BAUHAUS: ART, DESIGN AND TECHNIQUE, 1919 - 1933 Ortega García, Carlos Andrés
|
| |
REGISTRO ATMOSFÉRICO Crespo, Consuelo
|
| |
FERNANDO FALCONÍ. THE WAY OF LIFE Lusardi, Giada
|
| |