<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2588-0934</journal-id>
<journal-title><![CDATA[Ñawi: arte diseño comunicación]]></journal-title>
<abbrev-journal-title><![CDATA[Ñawi]]></abbrev-journal-title>
<issn>2588-0934</issn>
<publisher>
<publisher-name><![CDATA[Escuela Superior Politécnica del Litoral ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2588-09342024000200107</article-id>
<article-id pub-id-type="doi">10.37785/nw.v8n2.a6</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Sexo, drogas y ¿cárcel? Subjetividades modernas en Intimidades de una cualquiera (1974)]]></article-title>
<article-title xml:lang="en"><![CDATA[Sex, Drugs, and... Prison? Modern Subjectivities in Intimidades de una cualquiera (1974)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Wilson-Nunn]]></surname>
<given-names><![CDATA[Oliver]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,University of Cambridge  ]]></institution>
<addr-line><![CDATA[Cambridge ]]></addr-line>
<country>United Kingdom</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<volume>8</volume>
<numero>2</numero>
<fpage>107</fpage>
<lpage>123</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2588-09342024000200107&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2588-09342024000200107&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2588-09342024000200107&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: El presente trabajo tiene por objetivo analizar la película Intimidades de una cualquiera (1974) de Armando Bó e Isabel Sarli en su relación con la modernización social, económica y cultural de las décadas de 1960 y 1970. Consideramos que la cárcel es el espacio-concepto clave de la película, donde la compleja reformulación de subjetividades sexuales, religiosas y económicas se concentra. Dentro del marco teórico más amplio de la modernidad, establecemos un diálogo entre la historia del género y la sexualidad, los estudios sobre la recepción, las teorías críticas del espectador y la reevaluación reciente del cine de explotación. Desde esta perspectiva, argumentaremos que la producción, narrativa y recepción de la película se basan en contradicciones subjetivas e institucionales que trascienden cualquier dicotomía simple entre tradición y modernidad.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: The aim of this this paper is to analyse the film Intimidades de una cualquiera (1974) by Armando Bó and Isabel Sarli in relation to the social, economic, and cultural modernisation of the 1960s and 1970s. We consider the prison to be the key space-concept of the film in which the complex reformulation of sexual, religious, and economic subjectivities is concentrated. Within the broader theoretical framework of modernity, we establish a dialogue between the history of gender and sexuality, reception studies, critical theories of spectatorship and the recent critical revaluation of exploitation cinemas. From this perspective, we argue that the production, narrative, and reception of the film are grounded in subjective and institutional contradictions that transcend any simple dichotomy between tradition and modernity.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Modernidad]]></kwd>
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<kwd lng="es"><![CDATA[trabajo sexual]]></kwd>
<kwd lng="es"><![CDATA[teoría del espectador]]></kwd>
<kwd lng="es"><![CDATA[recepción]]></kwd>
<kwd lng="es"><![CDATA[placer]]></kwd>
<kwd lng="en"><![CDATA[Modernity]]></kwd>
<kwd lng="en"><![CDATA[exploitation cinema]]></kwd>
<kwd lng="en"><![CDATA[sex work]]></kwd>
<kwd lng="en"><![CDATA[spectatorship theory]]></kwd>
<kwd lng="en"><![CDATA[reception]]></kwd>
<kwd lng="en"><![CDATA[pleasure]]></kwd>
</kwd-group>
</article-meta>
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