<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2588-0934</journal-id>
<journal-title><![CDATA[Ñawi: arte diseño comunicación]]></journal-title>
<abbrev-journal-title><![CDATA[Ñawi]]></abbrev-journal-title>
<issn>2588-0934</issn>
<publisher>
<publisher-name><![CDATA[Escuela Superior Politécnica del Litoral ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2588-09342018000100013</article-id>
<article-id pub-id-type="doi">10.37785/nw.v2n1.a1</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La pertinencia como concepto del cine posmoderno]]></article-title>
<article-title xml:lang="en"><![CDATA[Relevance as concept of the postmodern cinema]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Galindo Pérez]]></surname>
<given-names><![CDATA[José María]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Rey Juan Carlos  ]]></institution>
<addr-line><![CDATA[Madrid ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<volume>2</volume>
<numero>1</numero>
<fpage>13</fpage>
<lpage>34</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2588-09342018000100013&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2588-09342018000100013&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2588-09342018000100013&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: El cine posmoderno es un concepto utilizado en la teoría y la historia del cine (de la misma forma que, en sus respectivos campos, se alude a una arquitectura o a una literatura posmodernas). Pero, ¿se trata de un concepto pertinente? Para responder a esa pregunta, el presente artículo pretende describir las principales características de la posmodernidad (entendida desde los puntos de vista histórico, político, económico, social, cultural y estético) a partir de la revisión de algunas de las principales aproximaciones a esta noción (desde Lyotard hasta Jameson, pasando por Harvey o Calinescu). Posteriormente, se intentarán aprehender los rasgos fundamentales de un hipotético cine posmoderno (utilizando aportaciones del mundo del pensamiento y la teoría cultural y puntos de vista formulados desde la filmología) para, finalmente, tratar de concluir si el concepto de cine posmoderno es pertinente o, por el contrario, no pasa de ser una etiqueta efímera.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: Postmodern cinema is a concept used in film theory and film history (in the same way as, in their corresponding fields, the literature studies and the world of the architecture refer to postmodern literature or postmodern architecture). However, is it a relevant concept? To answer this question, this paper claims to describe the main features of the postmodernity (considering this concept from several points of view: historical, political, economic, social, cultural or aesthetical) through the review of some of the principal approaches to this idea (since Lyotard to Jameson, and Harvey or Calinescu too). Later, the paper will try to grasp the key aspects of a hypothetical postmodern cinema (using for it the previous revision and some points of view provided by the filmology), and finally, trying to infer if the concept of the postmodern cinema in relevant or, on the contrary, it is just a short-lived adjective.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Cine]]></kwd>
<kwd lng="es"><![CDATA[posmodernidad]]></kwd>
<kwd lng="es"><![CDATA[teoría del cine]]></kwd>
<kwd lng="es"><![CDATA[cultura posmoderna]]></kwd>
<kwd lng="es"><![CDATA[cine posmoderno.]]></kwd>
<kwd lng="en"><![CDATA[Cinema]]></kwd>
<kwd lng="en"><![CDATA[postmodernity]]></kwd>
<kwd lng="en"><![CDATA[film theory]]></kwd>
<kwd lng="en"><![CDATA[postmodern culture]]></kwd>
<kwd lng="en"><![CDATA[postmodern cinema.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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