<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2528-7907</journal-id>
<journal-title><![CDATA[Revista San Gregorio]]></journal-title>
<abbrev-journal-title><![CDATA[Revista San Gregorio]]></abbrev-journal-title>
<issn>2528-7907</issn>
<publisher>
<publisher-name><![CDATA[Universidad San Gregorio de Portoviejo ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2528-79072020000100134</article-id>
<article-id pub-id-type="doi">10.36097/rsan.v1i38.1280</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Lyrical Structuralism in Contemporary Poetry with an Emphasis on the Poem "The Song of Knitting Wool"]]></article-title>
<article-title xml:lang="en"><![CDATA[El estructuralismo lírico en la poesía contemporánea con énfasis en el poema "The Song of Knitting Wool"]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ruhbakhsh Mobasseri]]></surname>
<given-names><![CDATA[Ali]]></given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ashrafzadeh]]></surname>
<given-names><![CDATA[Reza]]></given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Fakhr Eslam]]></surname>
<given-names><![CDATA[Batool]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Islamic Azad University  ]]></institution>
<addr-line><![CDATA[Mashhad Branch Mashhad]]></addr-line>
<country>Iran</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Islamic Azad University  ]]></institution>
<addr-line><![CDATA[Mashhad Branch|Mashhad ]]></addr-line>
<country>Iran</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Islamic Azad University  ]]></institution>
<addr-line><![CDATA[Neyshabur Branch Neyshabur]]></addr-line>
<country>Iran</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>03</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>03</month>
<year>2020</year>
</pub-date>
<numero>38</numero>
<fpage>134</fpage>
<lpage>150</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2528-79072020000100134&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2528-79072020000100134&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2528-79072020000100134&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La "canción de la codorniz" se encuentra entre los impresionantes poemas del gran poeta contemporáneo, Mahdi Akhavan Thaleth; Además de tener un lenguaje dialectal y contener palabras fraccionales, el poema presenta una maravillosa variedad de sentidos y literatura lírica. Desde la perspectiva lingüística, "la canción de las codornices" es una muestra vívida de la aplicación de los sonidos del poeta para inducir sus sentimientos afectuosos a los lectores.En el primer paso, este estudio buscó mostrar las propiedades líricas y generadoras de símbolos de la poesía de Akhavan (con una mirada particular a la canción de la codorniz) y capturar el estructuralismo sociopolítico de la obra para llegar a su estructuralismo lírico; En el segundo paso, el estudio trató de investigar la representación del poeta de los sentidos en el poema, que comúnmente se denomina el efecto de las vocales sobre el significado. Lo que se puede contar como el logro de la presente investigación es el incentivo de los sentimientos afectivos basados &#8203;&#8203;en las vocales inductivas y la sociología del trabajo. Basado en una percepción libre de la teoría por el francés Maurice Grammont y el ruso Roman Jakobson, el presente estudio concluyó que la alineación de las vocales con las significaciones del poema resultó en un aumento de la función poética y que dicha alineación podría intensificar el significado y también que la coordinación podría impedir la percepción del significado si no estuviera alineado con las denotaciones de las palabras.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The &#8220;song of quail&#8221; is amongst the impressive poems by the great contemporary poet, Mahdi Akhavan Thaleth; apart from having a dialectal language and containing factional words, the poem presents a marvelous array of senses and lyrical literature. From the linguistic perspectives, &#8220;the song of quail&#8221; is a vivid sample of the poet&#8217;s application of sounds for inducing his affectionate feelings to the readers. In the first step, this study sought showing the lyrical and symbol-generating properties of Akhavan&#8217;s poetry (with a particular glance at the song of quail) and capturing the sociopolitical structuralism of the work thereby to arrive at its lyrical structuralism; in the second step, the study tried investigating the poet&#8217;s depiction of senses in the poem which is commonly termed the effect of vowels on the meaning. The thing that can be recounted as the present research&#8217;s accomplishment is the affectionate feelings&#8217; inducement based on inductive vowels and sociology of the work. Drawn on a free perception of the theory by the French Maurice Grammont and the Russian Roman Jakobson, the present study concluded that the alignment of the vowels with the poem&#8217;s significations resulted in the increase in the poetical function and that such an alignment could intensify the meaning and also that the coordination could bar the perception of the meaning if it was not aligned with the words&#8217; denotations.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Mahdi Akhavan Thaleth]]></kwd>
<kwd lng="en"><![CDATA[Song of quail]]></kwd>
<kwd lng="en"><![CDATA[Sounds and inductions]]></kwd>
<kwd lng="en"><![CDATA[Lyrical literature]]></kwd>
<kwd lng="en"><![CDATA[Structuralism]]></kwd>
<kwd lng="en"><![CDATA[Maurice Grammont.]]></kwd>
<kwd lng="es"><![CDATA[Mahdi Akhavan Thaleth]]></kwd>
<kwd lng="es"><![CDATA[Canción de codorniz]]></kwd>
<kwd lng="es"><![CDATA[Sonidos e inducciones]]></kwd>
<kwd lng="es"><![CDATA[Literatura lírica]]></kwd>
<kwd lng="es"><![CDATA[Estructuralismo]]></kwd>
<kwd lng="es"><![CDATA[Maurice Grammont]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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