<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2528-7907</journal-id>
<journal-title><![CDATA[Revista San Gregorio]]></journal-title>
<abbrev-journal-title><![CDATA[Revista San Gregorio]]></abbrev-journal-title>
<issn>2528-7907</issn>
<publisher>
<publisher-name><![CDATA[Universidad San Gregorio de Portoviejo ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2528-79072017000200066</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[DIRECCIÓN DE ARTE PARA CINE Y ELEMENTOS EMERGENTES DEL DISCURSO DE IDENTIDAD NACIONAL EN PROMETEO DEPORTADO(2010)]]></article-title>
<article-title xml:lang="en"><![CDATA[CINEMA ART DIRECTION AND EMERGING ELEMENTS OF THE NATIONAL IDENTITY DISCOURSE IN THE ECUADORIAN FILM PROMETEO DEPORTADO(2010)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rondón Sierra]]></surname>
<given-names><![CDATA[Rey]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad San Gregorio de Portoviejo  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Ecuador</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<volume>1</volume>
<numero>19</numero>
<fpage>66</fpage>
<lpage>77</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2528-79072017000200066&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2528-79072017000200066&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2528-79072017000200066&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN En este trabajo se analizan elementos de la Dirección de Arte utilizados en la producción audiovisual Prometeo deportado, y su importancia para revelar la presencia de elementos emergentes del discurso de identidad nacional. A través de la definición de los componentes de la dirección artística y su papel en la narración visual, se especifican los recursos técnicos y expresivos empleados para establecer una conexión con los temas recurrentes en la conformación de la identidad nacional ecuatoriana.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT In this paper we analyze some elements of the Art Direction used in Prometeo deportado, and its importance to reveal the presence of emerging elements of the discourse of national identity. Through the definition of the components of the artistic direction and its role in the visual narration, the technical and expressive resources used are specified to establish a connection with the recurring themes in the conformation of the Ecuadorian national identity.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[cine ecuatoriano]]></kwd>
<kwd lng="es"><![CDATA[identidad nacional]]></kwd>
<kwd lng="es"><![CDATA[dirección de Arte]]></kwd>
<kwd lng="es"><![CDATA[análisis cinematográfico.]]></kwd>
<kwd lng="es"><![CDATA[cinema]]></kwd>
<kwd lng="es"><![CDATA[National Identity]]></kwd>
<kwd lng="es"><![CDATA[Art Direction]]></kwd>
<kwd lng="es"><![CDATA[Ecuador.]]></kwd>
</kwd-group>
</article-meta>
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