<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992025000100008</article-id>
<article-id pub-id-type="doi">10.26807/cav.v10i19.600</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[ÁNGELES Y PROFETAS CONSTRUYENDO ESCENAS PROFANAS BREVE REFLEXIÓN SOBRE ARTE, RELIGIÓN Y POSCRÍTICA]]></article-title>
<article-title xml:lang="en"><![CDATA[Angels and Prophets Building Profane Scenes: Brief Reflection on Art, Religion and Postcriticism]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pérez Pezoa]]></surname>
<given-names><![CDATA[Diego]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Chile  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<numero>19</numero>
<fpage>81</fpage>
<lpage>99</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992025000100008&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992025000100008&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992025000100008&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El siguiente texto tiene como finalidad ofrecer una reflexión filosófica y estética sobre la actualidad poscrítica del arte, mediante un análisis preciso entre arte y religión. Se trata de evidenciar los vínculos indisolubles que existen entre creación y salvación como un modo de existencia general del sistema del arte contemporáneo, junto con todos sus componentes, agentes y figuras. De este modo, el sistema general del arte históricamente se reconfigura a partir de sus figuras metafísicas que le atribuyen capacidades de creación, pero a su vez, fundamentos de salvación; la figura del crítico y el curador se transfiguran en agentes de un sistema del arte que busca en el artista, el ángel de la creación, plasmar sus fuerzas metafísicas de exhibición y divulgación. Finalmente, esta reflexión busca visualizar que toda política estética es, casi siempre, creación de una atmósfera de sentido, donde el artista, el espectador y el curador o crítico se entrelazan en un cosmos originario del arte.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The following text aims to offer a philosophical and aesthetic reflection on the current post-critical nature of art, through a precise analysis between art and religion. It is about highlighting the indissoluble links that exist between creation and salvation as a general mode of existence of the contemporary art system, along with all its components, agents and figures. In this way, the general system of art is historically reconfigured based on its metaphysical figures that attribute to it creative capacities, but, at the same time, foundations of salvation. The figure of the critic and the curator are transfigured into agents of an art system that seeks in the artist, the angel of creation, to capture its metaphysical forces of exhibition and dissemination. Finally, this reflection seeks to visualize that all aesthetic politics is, almost always, the creation of an atmosphere of meaning, where the artist, the viewer and the curator or critic are intertwined in a cosmos originating from art.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[escena]]></kwd>
<kwd lng="es"><![CDATA[poscrítica]]></kwd>
<kwd lng="es"><![CDATA[creación]]></kwd>
<kwd lng="es"><![CDATA[salvación]]></kwd>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[filosofía]]></kwd>
<kwd lng="en"><![CDATA[scene]]></kwd>
<kwd lng="en"><![CDATA[postcriticism]]></kwd>
<kwd lng="en"><![CDATA[creation]]></kwd>
<kwd lng="en"><![CDATA[salvation]]></kwd>
<kwd lng="en"><![CDATA[aesthetic]]></kwd>
<kwd lng="en"><![CDATA[philosophy]]></kwd>
</kwd-group>
</article-meta>
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