<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992025000100007</article-id>
<article-id pub-id-type="doi">10.26807/cav.v10i19.633</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[IDENTIDAD, MEMORIA Y APROPIACIÓN ESPACIAL, POR MEDIO DE LO SONO-RO: CASO DE ESTUDIO ADULTOS MAYORES EN LA LOMA GRANDE]]></article-title>
<article-title xml:lang="en"><![CDATA[Identity, Memory and Spatial Appropriation through Sound: Case Study of Seniors in La Loma Grande]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Villacis Tapia]]></surname>
<given-names><![CDATA[Enrique]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Oviedo]]></surname>
<given-names><![CDATA[Anahí]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Velastegui]]></surname>
<given-names><![CDATA[Johanna]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Pontificia Universidad Catolica del Ecuador  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Ecuador</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Pontificia Universidad Catolica del Ecuador  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Ecuador</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Pontificia Universidad Catolica del Ecuador  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Ecuador</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<numero>19</numero>
<fpage>70</fpage>
<lpage>79</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992025000100007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992025000100007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992025000100007&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El estudio analiza la identidad, el medio sonoro, la sinestesia y memoria en adultos mayores como mecanismo de pertenencia en el barrio La Loma Grande (Quito), a partir de la producción de archivos sonoros. Se recopiló relatos que evocan espacios desaparecidos en el barrio, promoviendo un proceso de recuperación de identidad y apropiación del entorno. A través del análisis, se identificó cómo la repetición sonora estimula la memoria y facilita la recreación de espacios mediante la imaginación. Se evidenció que el sonido, al activar múltiples sentidos, estimula el bienestar cognitivo y reconfigura las experiencias sensoriales y sociales, convirtiéndose en una herramienta de resistencia ante la pérdida de espacios físicos. Este estudio valida la importancia de la memoria colectiva en la apropiación del territorio y resalta la función del archivo sonoro en la preservación del patrimonio material ya inexistente como también el patrimonio intangible de comunidades.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The study analyzes identity, sound medium, synesthesia and memory in seniors as a mechanism of belonging in the La Loma Grande neighborhood (Quito), based on the production of sound archives. Stories were collected that evoke missing spaces in the neighborhood, promoting a process of recovery of identity and appropriation of the environment. Through the analysis, it was identified how sound repetition stimulates memory and facilitates the recreation of spaces through imagination. It was evidenced that sound, by activating multiple senses, stimulates cognitive well-being and reconfigures sensory and social experiences, becoming a tool of resistance to the loss of physical spaces. This study validates the importance of collective memory in the appropriation of the territory and highlights the role of the sound archive in the preservation of the already non-existent material as well as intangible heritage of communities.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Identidad]]></kwd>
<kwd lng="es"><![CDATA[tercera edad]]></kwd>
<kwd lng="es"><![CDATA[sonografía]]></kwd>
<kwd lng="es"><![CDATA[archivo sonoro]]></kwd>
<kwd lng="es"><![CDATA[testimonio]]></kwd>
<kwd lng="es"><![CDATA[multi sentidos]]></kwd>
<kwd lng="es"><![CDATA[recuerdos]]></kwd>
<kwd lng="en"><![CDATA[Identity]]></kwd>
<kwd lng="en"><![CDATA[the elderly]]></kwd>
<kwd lng="en"><![CDATA[sonography]]></kwd>
<kwd lng="en"><![CDATA[sound archive]]></kwd>
<kwd lng="en"><![CDATA[testimony]]></kwd>
<kwd lng="en"><![CDATA[multi-senses]]></kwd>
<kwd lng="en"><![CDATA[reminiscence]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barrio]]></surname>
<given-names><![CDATA[I. L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Estudios Geográficos]]></source>
<year>2001</year>
<numero>244</numero>
<issue>244</issue>
<page-range>447-66</page-range></nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Blauert]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Jekosch]]></surname>
<given-names><![CDATA[U.]]></given-names>
</name>
</person-group>
<source><![CDATA[Acta Acustica united with Acustica]]></source>
<year>2003</year>
<numero>5</numero>
<issue>5</issue>
<page-range>740-53</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[Funcionamiento cognitivo en adultos mayores: Rol de la reserva cognitiva, apoyo social y depresión.]]></article-title>
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cancino]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Rehbein-Felmer]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
<name>
<surname><![CDATA[Ortiz]]></surname>
<given-names><![CDATA[M. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Revista Médica de Chile]]></source>
<year>2018</year>
<numero>3</numero>
<issue>3</issue>
<page-range>315-22</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[Memoria e identidad. Tópicos.]]></article-title>
<person-group person-group-type="author">
<name>
<surname><![CDATA[De Zan]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Revista de Filosofía de Santa Fe]]></source>
<year>2008</year>
<numero>16</numero>
<issue>16</issue>
<page-range>41-67</page-range></nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Drobnick]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[En Diller + Scofidio (Eds.), Acciones]]></source>
<year>1999</year>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[From rendering to remembering: Art therapy for people with Alzheimer&#8217;s disease.]]></article-title>
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ehresman]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[International Journal of Art Therapy]]></source>
<year>2014</year>
<numero>1</numero>
<issue>1</issue>
<page-range>43-51</page-range></nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gautier]]></surname>
<given-names><![CDATA[A. M. O.]]></given-names>
</name>
</person-group>
<source><![CDATA[Artefilosofía]]></source>
<year>2011</year>
<numero>11</numero>
<issue>11</issue>
<page-range>82-95</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rancière]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[LOM Ediciones.]]></source>
<year>2004</year>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rocamora]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Universidad de la República.]]></source>
<year>2014</year>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[La Loma Grande: Una galería a cielo abierto.]]></article-title>
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rubio]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Revista Rupturas.]]></source>
<year>2015</year>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Oviedo]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Velasteguí]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Villacís]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Lugares que solo existen en nuestra memoria: La Loma Grande de Quito, Ecuador]]></source>
<year>2019</year>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[Paisajes sonoros: Hacia una antropología sonora.]]></article-title>
<person-group person-group-type="author">
<name>
<surname><![CDATA[Porcello]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
<name>
<surname><![CDATA[Meintjes]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
<name>
<surname><![CDATA[Ochoa]]></surname>
<given-names><![CDATA[A. M.]]></given-names>
</name>
<name>
<surname><![CDATA[Samuels]]></surname>
<given-names><![CDATA[D. W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Annual Review of Anthropology]]></source>
<year>2010</year>
<page-range>51-6</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
