<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992025000100006</article-id>
<article-id pub-id-type="doi">10.26807/cav.v10i19.630</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[CURIOSIDADes TECNO PROPULSADAs]]></article-title>
<article-title xml:lang="en"><![CDATA[Techno-Propelled Curiosities]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Dalgo Toledo]]></surname>
<given-names><![CDATA[Patricio Javier]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Independiente  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Ecuador</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<numero>19</numero>
<fpage>58</fpage>
<lpage>69</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992025000100006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992025000100006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992025000100006&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este texto explora el circuit bending entendiéndolo como una estrategia de intervención tecnológica y sonora que subvierte el uso predefinido de circuitos comerciales. Se centra en su potencial disruptivo dentro del sonido experimental y la no-música, abordando su relación con la luthería experimental, y el hardware hacking. A través de un recorrido conceptual y técnico, se analizan sus implicaciones en la resignificación de los objetos tecnológicos, la flexibilización interpretativa y la descentralización de la autoría. En un contexto de creciente automatización y control sobre la tecnología, la modificación de circuitos abre nuevas posibilidades creativas, permitiendo la emergencia de sonidos erráticos y sistemas impredecibles que redefinen el papel de los dispositivos electrónicos en la producción artística. Más allá de la técnica, el circuitbBending se inscribe en un contexto de exploración artística y filosófica, donde el ruido se convierte en un agente disruptivo que abre nuevas posibilidades de percepción, experimentación y significado. Inspirado en la filosofía Do It Yourself, el Circuit Bending favorece nuevos sentidos en la relación entre humanos y máquinas, revelando el potencial expresivo del fallo y la distorsión.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This text explores Circuit Bending as a strategy of technological and sonic intervention that subverts the predefined use of commercial circuits. It focuses on its disruptive potential within sound art and music, addressing its relationship with experimental lutherie, and hardware hacking. Through a conceptual and technical approach, it examines its implications in the re-signification of technological objects, interpretative flexibility, and the decentralization of authorship. In the context of increasing automation and technological control, circuit modification unlocks new creative possibilities, allowing the emergence of erratic sounds and unpredictable systems that redefine the role of electronic devices in artistic production. Beyond technique, Circuit Bending is situated within an artistic and philosophical exploration, where noise becomes a disruptive agent that opens new possibilities for perception, experimentation, and meaning.Inspired by the &#8220;do it yourself&#8221; philosophy, Circuit Bending redefines the relationship between humans and machines, revealing the expressive potential of failure and distortion.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Experimentación sonora]]></kwd>
<kwd lng="es"><![CDATA[error creativo]]></kwd>
<kwd lng="es"><![CDATA[dispositivos hackeados]]></kwd>
<kwd lng="es"><![CDATA[aprendizaje colaborativo]]></kwd>
<kwd lng="en"><![CDATA[Creative error]]></kwd>
<kwd lng="en"><![CDATA[sound experimentation]]></kwd>
<kwd lng="en"><![CDATA[hacked devices]]></kwd>
<kwd lng="en"><![CDATA[collaborative learning]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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