<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992025000100004</article-id>
<article-id pub-id-type="doi">10.26807/cav.v10i19.623</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[EL ROL DEL OYENTE EN LA RECONFIGU RACIÓN DE LA EXPERIENCIA SONORA]]></article-title>
<article-title xml:lang="en"><![CDATA[The Role of the Listener in the Reconfiguration of the Sonic Experience]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Giusto Ph.D]]></surname>
<given-names><![CDATA[Marco]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Guadalajara  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>México</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<numero>19</numero>
<fpage>38</fpage>
<lpage>47</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992025000100004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992025000100004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992025000100004&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La evolución del oyente contemporáneo ha experimentado una transformación profunda, pasando de un receptor pasivo a un participante activo en la construcción del significado sonoro. Este artículo introduce la noción del oyente-operador, una ampliación de los idealtipos de Adorno, para examinar cómo la escucha ha transitado hacia formas más interpretativas y participativas. Se analizan momentos clave en este proceso que redefinieron la interacción entre música y auditorio, desde prácticas artísticas innovadoras hasta enfoques contemporáneos que enfatizan el papel creativo del oyente. La transformación de la experiencia auditiva se analiza como un fenómeno que coloca al oyente en el centro de la creación del significado, mostrando que la desaparición de los códigos tradicionales no es una limitación, sino una oportunidad para explorar nuevas formas de relación con la música.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The figure of the contemporary listener has undergone a profound transformation, shifting from a passive receptor to an active participant in the construction of musical meaning. This paper introduces the notion of the listener-operator, an extension of Adorno&#8217;s ideal types, to examine how listening has evolved towards more interpretative and participatory forms. Key moments in this process are analyzed, tracing the redefinition between music and audience &#8212;from groundbreaking artistic practices to contemporary approaches that emphasize the listener&#8217;s creative role. The transformation of auditory experience is explored as a phenomenon that places the listener at the core of meaning-making, demonstrating that the disappearance of traditional codes is not a limitation but an opportunity to explore new modes of engagement with music.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Oyente-operador]]></kwd>
<kwd lng="es"><![CDATA[música contemporánea]]></kwd>
<kwd lng="es"><![CDATA[semiótica musical]]></kwd>
<kwd lng="es"><![CDATA[vanguardia]]></kwd>
<kwd lng="es"><![CDATA[significación musical]]></kwd>
<kwd lng="en"><![CDATA[Operator-listener]]></kwd>
<kwd lng="en"><![CDATA[contemporary music]]></kwd>
<kwd lng="en"><![CDATA[musical semiotics]]></kwd>
<kwd lng="en"><![CDATA[avant-garde]]></kwd>
<kwd lng="en"><![CDATA[musical signification]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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