<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992024000100069</article-id>
<article-id pub-id-type="doi">10.26807/cav.v10i17.566</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Entre la estetización y la politización: Natalie Wynn en la frontera]]></article-title>
<article-title xml:lang="en"><![CDATA[Between aestheticization and politicization: Natalie Wynn on the border]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Staroselsky]]></surname>
<given-names><![CDATA[Tatiana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,aff1  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>11</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>11</month>
<year>2024</year>
</pub-date>
<numero>17</numero>
<fpage>69</fpage>
<lpage>84</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992024000100069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992024000100069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992024000100069&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este texto surge del interés por el videoensayismo filosófico de YouTube e indaga especialmente la obra de la ex filósofa Natalie Wynn en tanto híbrido de arte y filosofía. Con algunos aportes de Walter Benjamin y de los estudios sobre el fenómeno de la estetización, pero también con debates que suscita la recepción de su obra en Argentina, nos preguntamos por la potencialidad política de una producción signada tanto por la militancia cuanto por las lógicas estéticas y comerciales de la plataforma -y la época- en la que se inserta.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This text arises from interest in philosophical video essays on YouTube and especially investigates the work of former philosopher Natalie Wynn. With contributions from Walter Benjamin and studies on the phenomenon of aestheticization, but also with debates raised by the reception of his work in Argentina, we ask ourselves about the political potential of a production marked both by militancy and by aesthetic logic and commercials of the platform in which it is inserted.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[estetización]]></kwd>
<kwd lng="es"><![CDATA[politización]]></kwd>
<kwd lng="es"><![CDATA[videoensayo]]></kwd>
<kwd lng="es"><![CDATA[Natalie Wynn]]></kwd>
<kwd lng="es"><![CDATA[Walter Benjamin]]></kwd>
<kwd lng="en"><![CDATA[aestheticization]]></kwd>
<kwd lng="en"><![CDATA[politicization]]></kwd>
<kwd lng="en"><![CDATA[video essay]]></kwd>
<kwd lng="en"><![CDATA[Natalie Wynn]]></kwd>
<kwd lng="en"><![CDATA[Walter Benjamin]]></kwd>
</kwd-group>
</article-meta>
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