<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992020000200042</article-id>
<article-id pub-id-type="doi">10.26807/cav.v0i09.310</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La máquinalepidóptera: el cuerpo femenino en obras recientes de Gabriela Carmona Slier]]></article-title>
<article-title xml:lang="en"><![CDATA[The lepidopterusmachine: feminine body in recent works of Gabriela Carmona Slier]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Benavente Morales]]></surname>
<given-names><![CDATA[Carolina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Santiago de Chile  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<numero>9</numero>
<fpage>42</fpage>
<lpage>48</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992020000200042&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992020000200042&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992020000200042&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN En este artículo se aborda la obra reciente de la artista visual chilena Gabriela Carmona Slier en tanto máquina estética. Por su particularidad, esta obra es abordada desde la perspectiva esquizoanalítica de Félix Guattari y Gilles Deleuze. Se discute cómo la artista contribuye a deconstruir y, al mismo tiempo, a reproductivizar el arquetipo de la mujer-mariposa, al desplazarsu atención hacia el proceso metamórfico del lepidóptero.En la conexión de la máquina artística, la máquina feminista y la máquina decolonial, la artista produce un devenir insecto, a la vez alterno y menor,que permite agenciar una transformación de la mujer. Por medio de una máquina estética plástica y performativa, el cuerpo de la artista se hace cuerpo con otros cuerpos femeninos. Así, generauna poética de repliegue y despliegue que sugiere quela mutación del insecto-mujer en la interioridad de su crisálida es tan crucial como el aleteo de imago o mariposaque la suele opacar.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT This article addresses the recent work of the Chilean visual artist Gabriela Carmona Slier as an aesthetic machine. Due to its particularity, this work is approached from the schizoanalytic perspective of Félix Guattari and Gilles Deleuze. The article discusses how the artist contributes to deconstruct and, at the same time, reinvigorate the archetype of the butterfly-woman, by shifting her attention to the metamorphic process of the lepidoptera. In the connection of the artistic machine, the feminist machine and the decolonial machine, the artist produces an insect development,both alternate and minor, which allows the transformation of women. Through a plastic and performative aesthetic machine, the artist's body is made body with other female bodies. Thus, it generates a poetic of withdrawal and deployment that suggests that the mutation of the insect-woman inside its chrysalis is as crucial as the fluttering of imago or butterfly that usually obscures it.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Gabriela Carmona Slier]]></kwd>
<kwd lng="es"><![CDATA[máquina estética]]></kwd>
<kwd lng="es"><![CDATA[cuerpo femenino]]></kwd>
<kwd lng="es"><![CDATA[arte contemporáneo]]></kwd>
<kwd lng="es"><![CDATA[instalación]]></kwd>
<kwd lng="en"><![CDATA[Gabriela Carmona Slier]]></kwd>
<kwd lng="en"><![CDATA[aesthetic machine]]></kwd>
<kwd lng="en"><![CDATA[feminine body]]></kwd>
<kwd lng="en"><![CDATA[contemporary art]]></kwd>
<kwd lng="en"><![CDATA[installation]]></kwd>
</kwd-group>
</article-meta>
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