<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992020000100093</article-id>
<article-id pub-id-type="doi">10.26807/cav.vi10.368</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[ENSAYO SOBRE EL ANÁLISIS DEL PROBLEMA DEL FIN DEL ARTE EN G.W.F. HEGEL Y ARTHUR C. DANTO]]></article-title>
<article-title xml:lang="en"><![CDATA[ESSAY ON THE ANALYSIS OF THE PROBLEM OF THE END OF ART IN G.W.F. HEGEL AND ARTHUR C. DANTO]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mariscal]]></surname>
<given-names><![CDATA[Tomás Villegas]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,universidad Autónoma de Zacatecas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<numero>10</numero>
<fpage>93</fpage>
<lpage>104</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992020000100093&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992020000100093&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992020000100093&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El objetivo de este trabajo es el estudio del problema del fin del arte en G.W. F. Hegel y Arthur C, Danto. Su hipótesis central es que, a partir del análisis de la filosofía estética de ambos autores, el arte ha entrado, en el tiempo presente, en un escenario donde no hay ningún criterio definitivo para decir qué es o qué no es una obra de arte. En este sentido, todo puede ser susceptible de ser considerado una obra de arte.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The objective of this work is the study of the problem of the end of art in G.W. F. Hegel and Arthur C, Danto. Its central hypothesis is that, based on the analysis of the aesthetic philosophy of both authors, art has entered, in the present time, in a scenario where there is no definitive criterion to say what a work of art is or is not. In this sense, everything can be considered a work of art.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Estética]]></kwd>
<kwd lng="es"><![CDATA[Arte]]></kwd>
<kwd lng="es"><![CDATA[Filosofía]]></kwd>
<kwd lng="en"><![CDATA[Aesthetics]]></kwd>
<kwd lng="en"><![CDATA[Art]]></kwd>
<kwd lng="en"><![CDATA[Philosophy]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
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</name>
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<surname><![CDATA[Neerman Rodríguez]]></surname>
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</name>
</person-group>
<source><![CDATA[Después del fin del arte]]></source>
<year>1999</year>
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</name>
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</nlm-citation>
</ref>
</ref-list>
</back>
</article>
