<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992018000200060</article-id>
<article-id pub-id-type="doi">10.26807/cav.v0i04.131</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Situación del arte contemporáneo chileno. La III Bienal de septiembre 2001. Una propuesta metodológica.]]></article-title>
<article-title xml:lang="en"><![CDATA[Situation of contemporary chilean art. The III Biennial of September 2001. A methodological proposal.]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mauelen de los Reyes]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Chile  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<numero>6</numero>
<fpage>60</fpage>
<lpage>68</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992018000200060&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992018000200060&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992018000200060&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: La definición de un arte contemporáneo en América Latina pasa por una suma de determinantes complejas. Por un lado, ha sido tradicional intentar introducirse a la discusión globalizada sobre el tema y, por otro, ha sido tan necesario como resistido revisar las determinantes locales de transformaciones de la cultura. Durante los años 2000 y 2001 se desarrolló un proyecto para la Bienal de Arte del Museo Nacional de Bellas Artes (MNBA) en Santiago de Chile. Su foco estuvo en explorar los sistemas de representación social y los diversos dispositi-vos de producción simbólica que determinaban el campo artístico. Fue una experiencia resistida por el medio local pero que arrojó algunos valiosos resultados. A través de este artículo se ponen en evidencia la mayoría de los referentes utilizados en ese proyecto, así como los medios con los cuales se estruc-turó su opción metodológica para abordar la pregunta por la posibilidad o imposibilidad de un arte contemporáneo local.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The definition of a contemporary art in Latin America goes through a sum of complex determinants. On the one hand, it has been traditional to try to enter the globalized discussion on the subject, and on the other it has been as necessary as it is to resist introducing oneself to the local determinants of cultural transformations. During 2000 and 2001 a project was developed for the Art Biennial of the National Museum of Fine Arts (MNBA) in Santiago de Chile. His focus was on reviewing the systems of social representation, and the various devices of symbolic production that determined the artistic field. It was an experience resisted by the local media, but it delivered several results. Through this article, most of the references used in this project are highlighted, as well as the means by which this methodological option was structured for the question of the possibility or impossibility of a local contemporary art.]]></p></abstract>
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<kwd lng="es"><![CDATA[arte acción]]></kwd>
<kwd lng="es"><![CDATA[performance]]></kwd>
<kwd lng="es"><![CDATA[vanguardias]]></kwd>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[teoría]]></kwd>
<kwd lng="es"><![CDATA[crítica]]></kwd>
<kwd lng="es"><![CDATA[asistematicidad]]></kwd>
<kwd lng="es"><![CDATA[política]]></kwd>
<kwd lng="en"><![CDATA[action art]]></kwd>
<kwd lng="en"><![CDATA[performance]]></kwd>
<kwd lng="en"><![CDATA[avant-garde]]></kwd>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
<kwd lng="en"><![CDATA[theory]]></kwd>
<kwd lng="en"><![CDATA[criticism]]></kwd>
<kwd lng="en"><![CDATA[asistematicity]]></kwd>
<kwd lng="en"><![CDATA[politics]]></kwd>
</kwd-group>
</article-meta>
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