<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992016000100042</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El arbitrio del encuadre La simetría en las películas de Peter Greenaway:]]></article-title>
<article-title xml:lang="en"><![CDATA[The frame referee: Symmetry in Peter Greenaway's films]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Yépez]]></surname>
<given-names><![CDATA[Raúl]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="A">
<institution><![CDATA[,  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<numero>2</numero>
<fpage>42</fpage>
<lpage>63</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992016000100042&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992016000100042&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992016000100042&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: La simetría es un elemento clave en la concepción estética del encuadre cinematográfico, utilizado por Peter Greenaway en casi la totalidad de sus películas. Según Arlindo Machado &#8220;Toda síncopa del cuadro es una operación ideológicamente orientada, ya que entrar en campo o salir del campo presupone la intencionalidad de quien enuncia y la disponibilidad de quien es enunciado.&#8221; Se intenta entonces, ensayar cierta interpretación de este recurso, aliado al uso de las técnicas implícitas en dicha acción. Además de revisar el concepto mismo de simetría, se explora también, definiciones y significados conexos de encuadre y composición, bajo la óptica de autores clásicos involucrados con el concepto y la técnica de la fotografía y la cinematografía.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: Symmetry is a key element in the aesthetic conception of cinematographic framing, used by Peter Greenaway in almost all of his films. According to Arlindo Machado "All framing syncopation is an ideologically oriented operation, as it goes in or out of the field, it presupposes the intention of who enunciates and the availability of whom is enunciated." The article tries an interpretation of this resource, allied to the use of techniques implied in this action. Besides reviewing the concept of symmetry, there are also explored some definitions and meanings connected with framing and composition, from the standpoint of classical authors involved with the concept and techniques of photography and cinematography.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Simetría]]></kwd>
<kwd lng="es"><![CDATA[Greenaway]]></kwd>
<kwd lng="es"><![CDATA[Cinematografía]]></kwd>
<kwd lng="es"><![CDATA[encuadre]]></kwd>
<kwd lng="es"><![CDATA[composición]]></kwd>
<kwd lng="en"><![CDATA[Symmetry]]></kwd>
<kwd lng="en"><![CDATA[Greenaway]]></kwd>
<kwd lng="en"><![CDATA[cinematography]]></kwd>
<kwd lng="en"><![CDATA[framing]]></kwd>
<kwd lng="en"><![CDATA[composition]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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