<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992016000100018</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Restos digitales, el fantasma en el ciberespacio arte des-corporal y espiritualidad tecnológica]]></article-title>
<article-title xml:lang="en"><![CDATA[Digital Remains, the phantom in cyberspace. Un corporal art and techonological spirituality.]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cagigal]]></surname>
<given-names><![CDATA[Pedro]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="A">
<institution><![CDATA[,  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<numero>2</numero>
<fpage>18</fpage>
<lpage>29</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992016000100018&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992016000100018&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992016000100018&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente artículo aborda la noción de rastros digitales para explorar el miedo a la muerte y los deseos de trascendencia que depositamos en las nuevas tecnologías. Miraremos ejemplos de prácticas artísticas con aproximaciones divergentes a la relación cuerpo-tecnología: ya sea como extensión del ser corpóreo o como descorporalización del ser. Centrándonos en la obra Marilyn, de Philippe Parreno, identificaremos el fantasma y los elementos de la representación espectral, para indagar en los deseos que generan las memorias y huellas en el cyberespacio.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article looks into the notion of digital traces to explore the fear of death and the desires of transcendence we project on new technologies. We will review artistic practices that exemplify different approaches to the relation body-technology, as embodiment or disembodiment. By focusing on the artwork Marilyn by Philippe Parreno we will identify the ghost and the elements of spectral representation, to further inquire into the wishes bestowed on us through the memories and footprints we leave in cyberspace.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[espectro]]></kwd>
<kwd lng="es"><![CDATA[cuerpo-tecnología]]></kwd>
<kwd lng="es"><![CDATA[corporalidad]]></kwd>
<kwd lng="es"><![CDATA[descorporalidad]]></kwd>
<kwd lng="es"><![CDATA[arte y tecnología]]></kwd>
<kwd lng="es"><![CDATA[cyborg]]></kwd>
<kwd lng="es"><![CDATA[redes sociales]]></kwd>
<kwd lng="es"><![CDATA[trascendencia]]></kwd>
<kwd lng="en"><![CDATA[Spectre]]></kwd>
<kwd lng="en"><![CDATA[body techonology]]></kwd>
<kwd lng="en"><![CDATA[corporality]]></kwd>
<kwd lng="en"><![CDATA[disembodiment]]></kwd>
<kwd lng="en"><![CDATA[art and technology]]></kwd>
<kwd lng="en"><![CDATA[cyborg]]></kwd>
<kwd lng="en"><![CDATA[social networks]]></kwd>
<kwd lng="en"><![CDATA[transcendence]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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