<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2588-0934</journal-id>
<journal-title><![CDATA[Ñawi: arte diseño comunicación]]></journal-title>
<abbrev-journal-title><![CDATA[Ñawi]]></abbrev-journal-title>
<issn>2588-0934</issn>
<publisher>
<publisher-name><![CDATA[Escuela Superior Politécnica del Litoral ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2588-09342023000100053</article-id>
<article-id pub-id-type="doi">10.37785/nw.v7n1.a3</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Materialidades y procesos de materialización de la etnografía como escritura académica]]></article-title>
<article-title xml:lang="en"><![CDATA[Materialities and materialization processes of ethnographyas academic writing]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rosas Flores]]></surname>
<given-names><![CDATA[Alba]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de las Américas Puebla  ]]></institution>
<addr-line><![CDATA[San Pedro Cholula ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2023</year>
</pub-date>
<volume>7</volume>
<numero>1</numero>
<fpage>53</fpage>
<lpage>68</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2588-09342023000100053&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2588-09342023000100053&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2588-09342023000100053&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: Debido al predominio de una perspectiva semiótica y representacionalista en la escritura y la etnografía, las materialidades y los procesos de materialización de la etnografía apenas empiezan a ser estudiados por los propios antropólogos y etnógrafos. En este texto, luego de delimitar a la etnografía como escritura académica y diferenciarla de la antropología, una práctica que Tim Ingold define como de observación corresponsal, cito tres casos de investigaciones que han tomado en serio las materialidades de la etnografía. Posteriormente, haciendo referencia a mi investigación con ladrilleros e ingenieros electrónicos en México, reflexiono sobre el proceso de materialización de mi propia etnografía y me pregunto qué es actualmente escribir con la computadora portátil. Para ello, retomo el concepto de mediación que proponen Sarah Kember y Joanna Zylinska, así como la noción de aparato que presenta Karen Barad. Sugiero que escribir una etnografía es una práctica material- discursiva que implica agencias humanas y no humanas. Y también que, como aparato, la computadora produce dos cuerpos: la etnografía y la etnógrafa.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: Due to the predominance of a semiotic and representationalist perspective in writing and ethnography, the materialities and materialization processes of ethnography are just beginning to be studied by anthropologists and ethnographers themselves. In this text, after defining ethnography as academic writing and differentiating it from anthropology, a practice that Tim Ingold defines as correspondent observation, I review three cases of research that have taken the materialities of ethnography seriously. Subsequently, referring to my research with brickmakers and electronic engineers in Mexico, I reflect on the materialization process of my own ethnography and ask myself what writing with the laptop actually means. To do this, I return to the concept of mediation proposed by Sarah Kember and Joanna Zylinska, as well as the notion of apparatus presented by Karen Barad. I suggest that writing an ethnography is a material-discursive practice involving human and non-human. And I also suggest that, as an apparatus, the computer produces two bodies: the ethnography and the ethnographer.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Aparato]]></kwd>
<kwd lng="es"><![CDATA[cuerpos humanos y no humanos]]></kwd>
<kwd lng="es"><![CDATA[computadora portátil]]></kwd>
<kwd lng="es"><![CDATA[etnógrafo]]></kwd>
<kwd lng="es"><![CDATA[material-discursivo]]></kwd>
<kwd lng="es"><![CDATA[mediación]]></kwd>
<kwd lng="en"><![CDATA[Apparatus]]></kwd>
<kwd lng="en"><![CDATA[human and non-human bodies]]></kwd>
<kwd lng="en"><![CDATA[laptop]]></kwd>
<kwd lng="en"><![CDATA[ethnographer]]></kwd>
<kwd lng="en"><![CDATA[material-discursive]]></kwd>
<kwd lng="en"><![CDATA[mediation]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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