<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2588-0934</journal-id>
<journal-title><![CDATA[Ñawi: arte diseño comunicación]]></journal-title>
<abbrev-journal-title><![CDATA[Ñawi]]></abbrev-journal-title>
<issn>2588-0934</issn>
<publisher>
<publisher-name><![CDATA[Escuela Superior Politécnica del Litoral ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2588-09342021000200065</article-id>
<article-id pub-id-type="doi">10.37785/nw.v5n2.a4</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Cuerpos robóticos, "más acá" de las herencias humanistas. Reflexiones situadas en nuestro arte tecnológico contemporáneo]]></article-title>
<article-title xml:lang="en"><![CDATA[Robotic bodies, closer to "this side" than humanist inheritance. Reflections arising from our contemporary technological art]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Martin]]></surname>
<given-names><![CDATA[Nadia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de Tres de Febrero-CONICET-IIAC  ]]></institution>
<addr-line><![CDATA[Ciudad Autónoma de Buenos Aires ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<volume>5</volume>
<numero>2</numero>
<fpage>65</fpage>
<lpage>82</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2588-09342021000200065&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2588-09342021000200065&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2588-09342021000200065&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: En este trabajo abordo tres obras de arte robótico desarrolladas por artistas latinoamericanas: ENT-e (2012) de Gabriela Munguía, TZ&#8217;IJK (2013/4) de Paula Gaetano-Adi y Gustavo Cremblin, y Cartografías invisibles (2018) de Ana Laura Cantera y Demian Ferrari. Ensayo una perspectiva decolonial, dirigida a comprender la autonomía de sus programas materiales, estéticos y conceptuales. El objetivo es analizar las estrategias con las que estas producciones modulan imaginarios del cuerpo alternativos al modelo antropomórfico, maquínico e hiperinteligente del humanismo moderno. Concluyo que estas criaturas robóticas no sólo desafían la oposición mente-cuerpo extendida a la de software-hardware, sino que, mediante la introducción de materialidades como barro, vegetales u hongos y la generación de comportamientos fundamentados en lo sensible y lo somático, exploran un continuum natural-artificial en el que se sugieren intercambios afectivos y vinculaciones colaborativas con el entorno. Nos sitúan, así, en un &#8220;más acá&#8221; de los órdenes sensibles de la modernidad occidental.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: In this work I address three works of robotic art developed by Latin American artists: ENT-e (2012) by Gabriela Munguía, TZ'IJK (2013/4) by Paula Gaetano-Adi and Gustavo Cremblin, and Cartografías Invisibles (2018) by Ana Laura Cantera and Demian Ferrari. I assay a de-colonial perspective, aimed at understanding the autonomy of their material, aesthetic and conceptual programs. I analyse the strategies by which these productions modulate alternative body imaginaries to those of the anthropomorphic, machinic and hyper intelligent model of modern humanism. I conclude that these robotic creatures not only challenge the mind-body opposition widespread to the one of software-hardware, but also, by means of materiality introductions such as mud, vegetables or fungi, as well as the raising of behaviors based on what is sensitive and somatic, they explore a natural-artificial continuum in which affective exchanges and collaborative relations with the environment are suggested. They, thus, set us closer to "this side" regarding sensitive western modernity orders.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Arte robótico]]></kwd>
<kwd lng="es"><![CDATA[arte latinoamericano]]></kwd>
<kwd lng="es"><![CDATA[decolonialidad]]></kwd>
<kwd lng="es"><![CDATA[imaginarios corporales]]></kwd>
<kwd lng="es"><![CDATA[nuevas materialidades]]></kwd>
<kwd lng="es"><![CDATA[posthumanismo.]]></kwd>
<kwd lng="en"><![CDATA[decoloniality]]></kwd>
<kwd lng="en"><![CDATA[body imaginaries]]></kwd>
<kwd lng="en"><![CDATA[latin american art]]></kwd>
<kwd lng="en"><![CDATA[new materialities]]></kwd>
<kwd lng="en"><![CDATA[robotic art]]></kwd>
<kwd lng="en"><![CDATA[posthumanism.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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