<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992023000100171</article-id>
<article-id pub-id-type="doi">10.26807/cav.v8i15.521</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Luminancias.Una exhibición de José Luis Macas Paredes en el marco del Kolla Raymi]]></article-title>
<article-title xml:lang="en"><![CDATA[Luminances. An exhibition by José Luis Macas Paredes within the framework of Kolla Raymi]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cartagena]]></surname>
<given-names><![CDATA[María Fernanda]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,aff1  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>11</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>11</month>
<year>2023</year>
</pub-date>
<numero>15</numero>
<fpage>171</fpage>
<lpage>181</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992023000100171&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992023000100171&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992023000100171&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Texto curatorial de la última muestra individual del artista contemporáneo Jose Luis Macas Paredes presentada en la galería de arte N24 en Quito, Ecuador. La sostenida investigación-acción del artista en y desde la pacha o tiempo-espacio andino continúa en dos series concebidas para el espacio de la galería: Luminancias y Achikyakushuyu (Dibujos de sol y agua). De la primera serie se analiza la restitución de gráficas y patrones precolombinos relacionados a la astronomía y a la luz como elemento activador. Las dinámicas composiciones también retoman el legado del neoconcreto brasilero. La segunda serie, integrada por dibujos en cianotipia, remite a la sincronía del artista con elementos vitales del mundo andino como son la agencia del sol y del agua. La exhibición se presentó en el marco del Kolla Raymi - Equinoccio de septiembre, festividad que honra al ciclo lunar, a las aguas, y a la fertilidad de la Pacha Mama.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Curatorial text of the latest solo exhibit by contemporary artist Jose Luis Macas Paredes presented at the N24 art gallery in Quito, Ecuador. The artist&#8217;s sustained research-action in and from the pacha or Andean time-space continues in two series conceived for the gallery space: Luminances and Achikyakushuyu (Sun and water drawings). The first series is analyzed by focusing on the restitution of pre-Columbian graphics and patterns related to astronomy and to light as an activating element. The dynamic compositions also take up the legacy of Brazilian neo-concrete. The second series, composed of cyanotype drawings, refers to the artist&#8217;s synchrony with vital elements of the Andean world such as the sun and water, and their agency. The exhibition was presented during the Kolla Raymi - September Equinox, a festivity that honors the lunar cycle, the waters, and the fertility of Pacha Mama.]]></p></abstract>
</article-meta>
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