<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992020000200218</article-id>
<article-id pub-id-type="doi">10.26807/cav.v0i09.354</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Roberto Noboa, el lado B de un registro inacabado]]></article-title>
<article-title xml:lang="en"><![CDATA[Roberto Noboa, side B of an unfinished record]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Zambrano Alvarado]]></surname>
<given-names><![CDATA[Jéssica]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Casa Grande  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<numero>9</numero>
<fpage>218</fpage>
<lpage>223</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992020000200218&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992020000200218&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992020000200218&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN La pintura de Roberto Noboa ha sido descrita como &#8220;figuración especulativa&#8221;, y la densidad semántica de sus composiciones como propiciadoras de &#8220;la conjetura y el híper subjetivismo interpretativo&#8221;, o como &#8220;una narración incómoda y cómplice&#8221;. Su trabajo, gestado desde los años 90 en Guayaquil, no se puede asociar a las prácticas dominantes en el arte ecuatoriano del período y, a pesar de su fecundidad, continúa desarrollándose de manera distante a la escena contemporánea, más allá de su creciente influencia en el medio. El libro de la editorial EACHEVE recoge más de 200 cuadros del artista, analizando su proceso creativo y proponiendo perspectivas de análisis sobre su obra a partir de entrevistas, ensayos y registros visuales, que incluyen no solo sus pinturas sino también sus libretas de trabajo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT Roberto Noboa's paintings have been described as "speculative figuration", as the dense semantics of their symbolisms lead to "conjecture and hyper interpretative subjectivism" through their "uncomfortable and complicit narration". His work, developed since the 90s in Guayaquil, doesn&#8217;t quite fit into the preeminent art practices in Ecuadorian art of that period. Even though there&#8217;s a growing influence of his continuous creative output on younger generations of artists, Noboa continues to develop his practice keeping a certain distance from the scene&#8217;s dynamics. Published by EACHEVE the book contains more than 200 reproductions of his work,and analyzes his creative process through interviews and essays that focus not only on his paintings but on his sketchbooks.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[pintura]]></kwd>
<kwd lng="es"><![CDATA[arte figurativo]]></kwd>
<kwd lng="es"><![CDATA[Roberto Noboa]]></kwd>
<kwd lng="es"><![CDATA[arte contemporáneo ecuatoriano]]></kwd>
<kwd lng="en"><![CDATA[painting]]></kwd>
<kwd lng="en"><![CDATA[figurative art]]></kwd>
<kwd lng="en"><![CDATA[Roberto Noboa]]></kwd>
<kwd lng="en"><![CDATA[ecuadorian contemporary art]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="">
<article-title xml:lang=""><![CDATA[Roberto Noboa]]></article-title>
<person-group person-group-type="author">
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</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Noboa]]></surname>
<given-names><![CDATA[R]]></given-names>
</name>
<name>
<surname><![CDATA[Kronfle]]></surname>
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<year>2019</year>
<numero>316</numero>
<issue>316</issue>
<publisher-loc><![CDATA[Guayaquil ]]></publisher-loc>
<publisher-name><![CDATA[Eacheve]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
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<article-title xml:lang=""><![CDATA[Roberto Noboa, en otra parte]]></article-title>
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<surname><![CDATA[Álvarez]]></surname>
<given-names><![CDATA[G]]></given-names>
</name>
</person-group>
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<publisher-name><![CDATA[Eacheve]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
