<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992018000100092</article-id>
<article-id pub-id-type="doi">10.26807/cav.v0i04.93</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Estética de la ruina: la potencia de los vestigios en el arte contemporáneo]]></article-title>
<article-title xml:lang="en"><![CDATA[The Aesthetics of Ruins: the power of vestiges in contemporary art]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Adler]]></surname>
<given-names><![CDATA[Jazmín]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,UNTREF  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<numero>5</numero>
<fpage>92</fpage>
<lpage>101</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992018000100092&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992018000100092&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992018000100092&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: El presente artículo analiza los modos en que diferentes obras contemporáneas asiduamente discurren sobre la figura de la ruina desde un punto de vista material y conceptual. Luego de revisar el atractivo ejercido por los vestigios en distintos períodos de la historia del arte, el trabajo focaliza en una serie de proyectos realizados en las últimas décadas, con el objetivo de dilucidar las distintas configuraciones adoptadas por la ruina en el arte contemporáneo. El artículo concluye que la potencia de los vestigios en las prácticas artísticas de nuestros tiempos radica en su capacidad para sustituir el paradigma epistemológico de base ontológica, heredado de la modernidad, por otro que considere a la historia como campo de tensiones.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: This article analyses the ways in which different contemporary artworks usually tackle the subject of ruins from a material and conceptual point of view. After studying the interest in vestiges throughout the art history, the paper focuses on some projects created in the last decades, in order to elucidate different expressions of ruins in contemporary art. The article concludes by stating that the power of vestiges in the artistic practices of our days lies in its capacity to substitute the epistemological paradigm based on ontological categories -inherited from Modernity- with another paradigm that may consider the history as a tension field.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[arte]]></kwd>
<kwd lng="es"><![CDATA[contemporaneidad]]></kwd>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[ruinas.]]></kwd>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[contemporaneity]]></kwd>
<kwd lng="en"><![CDATA[ruins.]]></kwd>
</kwd-group>
</article-meta>
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