<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2477-9199</journal-id>
<journal-title><![CDATA[Índex, revista de arte contemporáneo]]></journal-title>
<abbrev-journal-title><![CDATA[Índex]]></abbrev-journal-title>
<issn>2477-9199</issn>
<publisher>
<publisher-name><![CDATA[Pontificia Universidad Católica del Ecuador]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2477-91992017000200067</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Brasilia: imágenes de la gloria, memorias de la exclusión]]></article-title>
<article-title xml:lang="en"><![CDATA[Brasilia: images of glory, memories of exclusion]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Capasso]]></surname>
<given-names><![CDATA[Verónica]]></given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Urtubey]]></surname>
<given-names><![CDATA[Federico]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="A">
<institution><![CDATA[,  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<numero>4</numero>
<fpage>67</fpage>
<lpage>75</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_arttext&amp;pid=S2477-91992017000200067&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_abstract&amp;pid=S2477-91992017000200067&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.senescyt.gob.ec/scielo.php?script=sci_pdf&amp;pid=S2477-91992017000200067&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: A comienzos de los años cincuenta, se produjo en Brasil una explosión modernista que se manifestó en un variado abanico de propuestas, proyectos e instituciones, entre ellas la construcción de Brasilia. Durante la presidencia de Kubitschek (1956-1961) su construcción se invistió como la concreción a nivel urbano del imaginario de progreso y modernización tecnológica, un proyecto de hacer crecer a Brasil cincuenta años en tan sólo cinco. En el presente trabajo abordaremos producciones artísticas que se articulan como contrarelatos de la construcción mítica de Brasilia. Tomaremos como objetos de análisis la instalación de Cildo Meireles Através (1983-1989) y la película Branco sai, preto fica (2014) de Adirley Queirós. Ambas aportan una perspectiva con mayores claroscuros respecto de la experiencia de habitar Brasilia, dando lugar a una serie de discursos críticos relacionados con las existentes situaciones de exclusión social y disputa por el espacio público.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: In the early 1950s, a modernist explosion occurred in Brazil, which manifested in a wide range of proposals, projects and institutions, including the construction of Brasilia city. During the presidency of Kubitschek (1956-1961) its building was vested as the concreteness, on an urban level of the imagination of technological progress and modernization, a project to make Brazil move on fifty years in only five. In this paper, we will deal with artistic productions that are articulated as counterparts of Brasilia´s mythical construction. We will analyze the installation of Cildo Meireles Através (1983-1989) and the film Branco sai, preto fica (2014) of Adirley Queirós. Both productions provide a different perspective regarding the experience of living in Brasilia, giving rise to critical discourses on situations of social exclusion and dispute over public space.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Brasilia]]></kwd>
<kwd lng="es"><![CDATA[arte]]></kwd>
<kwd lng="es"><![CDATA[Cildo Meireles]]></kwd>
<kwd lng="es"><![CDATA[Através]]></kwd>
<kwd lng="es"><![CDATA[Adirley Queirós]]></kwd>
<kwd lng="es"><![CDATA[Branco sai]]></kwd>
<kwd lng="es"><![CDATA[preto fica]]></kwd>
<kwd lng="es"><![CDATA[memorias]]></kwd>
<kwd lng="en"><![CDATA[Brasilia]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[Cildo Meireles]]></kwd>
<kwd lng="en"><![CDATA[Através]]></kwd>
<kwd lng="en"><![CDATA[Adirley Queirós]]></kwd>
<kwd lng="en"><![CDATA[Branco sai]]></kwd>
<kwd lng="en"><![CDATA[preto fica]]></kwd>
<kwd lng="en"><![CDATA[memory]]></kwd>
</kwd-group>
</article-meta>
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