WRITINGS FROM THE EXILE: ON BORDER THINKING IN LUIS CAMNITZER’S ART CRITICISM Pinella, Fernanda Cubas
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REFLECTIONS ON THE TREMENDOUS FROM THE MATERIAL-MAKING IN THE CONTEMPORARY WORK OF ART Hernández Parraguez, Marta
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FROM THE IMAGE AS REPRESENTATION TO THE IMAGE AS A FUNCTION: ON THE ALGORITHMIC CONDITION PRESENT IN THREE WORKS OF CONTEMPORARY VISUAL ART IN CHILE Vallejos Fabres, Cristóbal
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HUNDERTWASSER: THE FIVE SKINS AS INTERFACES OF COMMON EXPERIENCE Sánchez Ramírez, José Luis; Albo Cos, Úrsula
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“LACEMAKER IN SITU” BY BEATRIZ GONZÁLEZ: AN ESSAY ON PLACE IN COLOMBIAN ART Pineda Repizo, Adryan Fabrizio
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AN ALBUM OF QUOTES: THE IMAGINARY MUSEUM OF ANDRÉ MALRAUX Bruna, Rodrigo
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BUDDHA AND COATLICUE: TWO EQUIDISTANT FORMS OF MANIFESTATION Pérez López, Janneth Alyne
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Representing, documenting and hurting: the photographic archive of Adelina Dematti de Alaye-Madre de Plaza de Mayo Nieto, María Emilia
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PACHAQUEER, ART THAT TRANSFORMS Cerón Orellana, Kleber Santiago
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VISUALITY AND DAMAGE. NOTES ON NATURE AND ENVIRONMENT IN ARGENTINE ART Capasso, Verónica
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FEMINIST COLLECTIVITY IN ART ACTIVISM: METHODOLOGIES IN ANDREA ZAMBRANO ROJAS’ PIECE “CALZONES PARLANTES” Iwama, Kasumi
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Hypotheses about the (dis) agreement between artistic research and scientific research Fuentes Cid, Sara; Cordovil, João L
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NEGATIVITY, COLLAPSE AND MESS IN LARIZA HATRICK'S QUEER PHOTOGRAPHIC PROPOSAL. A LOOK FROM JULIA KRISTEVA Martínez, Ariel
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RECOGNITION OF THE BAUHAUS: ART, DESIGN AND TECHNIQUE, 1919 - 1933 Ortega García, Carlos Andrés
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REGISTRO ATMOSFÉRICO Crespo, Consuelo
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FERNANDO FALCONÍ. THE WAY OF LIFE Lusardi, Giada
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