PHOTOACTIVISM, EMPATHY AND THE POLITICS OF AFFECTIONS INTERVIEW WITH SADO PHOTOGRAPHIC COLLECTIVE
Contursi, Ana; Allaltuni, Zaira
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NOTES ON ARTISTIC NEO-EXTRACTIVISM IN LATIN AMERICA
Berríos González, Pablo Salvador
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THE BAROQUE IMAGE AS A STRATEGY OF SUBJECTION OF THE INDIGENOUS TO THE CIVIL AND ECCLESIASTICAL POWER IN QUITO IN THE SECOND HALF OF THE SEVENTEENTH CENTURY. THE CASE OF THE PAINTING HEALING OF A DEMONIZED INDIAN
Capa, Oscar Enriquez
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On the other side of the mirror: some ideas about ideology and fetishization on the film The Animatrix.
Calle, Pablo Meriguet
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MINERVA AYÓN: A QUEER ASSEMBLAGE
Torres Vega, Mireille
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BACK TO THE HOUSE OF CHILDHOOD. EXHIBITION: LOS HIJOS DE PEDRO PAN BY CUBAN-AMERICAN ARTIST ERNESTO PUJOL
Suárez del Villar Suárez, Laritza Beatriz
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EL TELÉGRAFO ARCHIVE: PEDAGOGICAL AND ARTISTIC PRACTICES AT UARTES
Suárez-Pinzón, Janina
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ART AND GENDER: RUBY LARREA
Gálvez Sánchez, Susan
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NOTES ABOUT THE NOTIONS OF INDISCIPLINARITY AND THOUGHTCRIME AS WAYS OF RESTORING THE IMAGE
Cáceres, Juan Fernando
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THE GRANDFATHER'S STEPS
Freire, Santiago de la Torre
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The Ecuadorian jungle, or the rest, visit the museum
Hernández, Amalina Bomnin
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EVERY DAY ARCHEOLOGY, ILOWASKY GANCHALA
Rocha, Susan
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TALŌ CONTEMPORARY ART; GALLERY AND MEETING SPACE.
Heredia, Carlos
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Cáceres, José Antonio. (2020). Figura. Edition, study and notes by Emilia Oliva. Text by Fernando Millán. Facsimile reproduction. Cáceres, Spain: Publications Service of the University of Extremadura (UEx). 209 pages. ISBN: 978-84-9127-060-7.
Pavo Cuadrado, David
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All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License
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