Abstract

VASCONEZ, Galo  and  CARPIO, Francisca. CINEMATOGRAPHIC NEOVANGUARD OR AN INTERTEXTUAL SCOPE OF POSMODERNITY. Revista Chakiñan [online]. 2019, n.9, pp.82-91. ISSN 2550-6722.  https://doi.org/10.37135/chk.002.09.07.

The artistic vanguard during the early twentieth century has directly influenced all the artistic situation at the present time, including cinematographic genre, which has adopted it as part of the post-modernity inter-textual feature. The objective of the present study is to lead an approximation to the phenomenon of cinematographic neo-vanguard, using the descriptive and theoretical method, which outlines the characteristics of neo-vanguards in cinematography and also a detailed analysis is carried out about neodadaísmo, neocubismo, neo-surrealism, neo-expressionism and neo-futurism. As a result of this review, it can be said that after two world wars, the planet faced a reality that caused pessimism, loss of faith on great stories and the voices of the avant-garde arose again, without their irreverent and rebellious background, where forms were adopted, in an inter-textual influence attached to the norms of postmodernity.

Keywords : Cinematography; art; artistic neo-vanguard; intertextuality; postmodernity.

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