SciELO - Scientific Electronic Library Online

 
 issue16Apartheid, Social Documentary Photography in South Africa and how the photographer David Goldblatt approaches the Apartheid in his daily life scenesThe social world beyond the human: multispecies relationships through contemporary Amazonian art author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Journal

Article

Indicators

Related links

  • Have no similar articlesSimilars in SciELO

Share


Índex, revista de arte contemporáneo

On-line version ISSN 2477-9199Print version ISSN 1390-4825

Abstract

IDROVO LANDY, Israel  and  MACHADO GUTIERREZ, José. Kintsugi: performativity and critical research in the questioning of normativity. Índex [online]. 2023, n.16, pp.23-33. ISSN 2477-9199.  https://doi.org/10.26807/cav.v9i16.547.

This article explores the expressive and reflective possibilities of the conjunction between performativity and critical studies of disability. Through the work “Kintsugi”, developed within the framework of the Aula Cero exhibition and the Edin (Education, disability and inclusion) research project of the University of Cuenca, we want to understand better the experience of people with disabilities in the field of college education, and make their daily struggle visible in excluding contexts. The Japanese technique of restoration of fractured ceramics with precious metals called kintsugi is used as a metaphor to assemble a video narrative with fragments of faces, reflections, bodies, and testimonials about the experience of disability. With this collaborative and multimodal work, a review of the idea of normality and its restrictive approach is proposed, and a consideration is made on the power of disability and art to challenge certain hegemonic notions, and to create new narratives.

Keywords : Relational art; performativity; disability; normal; kintsugi.

        · abstract in Spanish     · text in Spanish     · Spanish ( pdf )