Abstract

CORDOVA R, Franciné. PRECARIOUSNESS AND ABJECTION IN WILSON PACCHA. Índex [online]. 2020, n.10, pp.28-41. ISSN 2477-9199.  https://doi.org/10.26807/cav.vi10.295.

This analysis approach the Wilson Paccha’s artistic practice and his strategy to manipulate the art norms from marginality, introducing the impossible of being named to contemporary art of the quiteño context, I’m also interested in criticizing Paccha's abjecting process, as an effect of aesthetic regimes in "the sharing of the sensitive" with the model of the traditional established in certain academic spaces, in whose center was created an “other” that was left out without a part. The breakup of an ethnographic concerning art is the counter gaze of art producing new ways. Paccha of traditional formation, sees in this art the opportunity to get in and out of artistic field with his work, he raise doubts the visuality of traditional forms of representational art, installed as the only aesthetic forms of art in the imaginary.

Keywords : Abject; norm; contemporary art; “abjected”; Paccha; representation; non-esthetic..

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